Daffodils, Greeting Card by Harold Harvey - Featured on Desktop Devices Daffodils, Greeting Card by Harold Harvey - Featured on Mobile Devices
Harold Harvey Daffodils
The Trundle at Goodwood, Greeting Card by Christopher R W Nevinson - Featured on Desktop Devices The Trundle at Goodwood, Greeting Card by Christopher R W Nevinson - Featured on Mobile Devices
Christopher R W Nevinson The Trundle at Goodwood
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
The Carpet-Cat, Greeting Card by Ditz   - Featured on Desktop Devices The Carpet-Cat, Greeting Card by Ditz   - Featured on Mobile Devices
Ditz The Carpet-Cat
A Winter Perch, Greeting Card by Linda Richardson - Featured on Desktop Devices A Winter Perch, Greeting Card by Linda Richardson - Featured on Mobile Devices
Linda Richardson A Winter Perch
Portrait of a Woman, Greeting Card by Nina Hamnett  - Featured on Desktop Devices Portrait of a Woman, Greeting Card by Nina Hamnett  - Featured on Mobile Devices
Nina Hamnett Portrait of a Woman

Postcards Publisher

Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks

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Featured Artists

Beachy Head, Greeting Card by Eric Ravilious - Thumbnail

Eric Ravilious

Eric Ravilious was an artist, illustrator and designer specialising in watercolour paintings of the British countryside, most famously of Sussex. Ravilious had a special connection to the area, as he grew up there and studied at the Eastbourne School of Art. He went on to study at the Royal College of Art and later became one of the most popular artists of the 1930s.
Southwold Beach Huts, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Corn Stooks by Bray Church, Greeting Card by Heywood Hardy - Thumbnail

Heywood Hardy

Heywood Hardy was a British painter. Born in Chichester, Sussex. He studied at the École des Beaux-Arts in Paris. Upon returning to England, Hardy’s work became popular and he received many commissions from the estates of his wealthy patrons. He went on to become a member of The Royal Society of Painters and Etchers, The Royal Institute of Oil Painters, and The Royal Society of Portrait Painters. He also worked as an illustrator for several publications, including The Illustrated London News and The Graphic Magazine. In the last years of his life, Hardy made a controversial shift from sensitive animal subjects to biblical scenes of Christ walking in the Sussex countryside. Today, his works are in the collections of the Philadelphia Museum of Art, the Manchester City Art Gallery, and the Bury Art Museum, among others.
Woman Embroidering on Balcony, Greeting Card by August Macke - Thumbnail

August Macke

August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.

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